{"id":3528,"date":"2026-01-07T04:09:15","date_gmt":"2026-01-07T04:09:15","guid":{"rendered":"https:\/\/firearmupgrades.com\/?p=3528"},"modified":"2026-01-07T04:09:15","modified_gmt":"2026-01-07T04:09:15","slug":"hungarian-filmmaker-bela-tarr-has-died-at-70-npr","status":"publish","type":"post","link":"https:\/\/firearmupgrades.com\/?p=3528","title":{"rendered":"Hungarian filmmaker B\u00e9la Tarr has died at 70 : NPR"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"storytext\">\n<div id=\"resg-s1-104767\" class=\"bucketwrap image x-large\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\" style=\"&#10;        --source-width: 3000;&#10;        --source-height: 2000;&#10;    \">\n        <picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/900\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/2400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/900\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1200\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/1800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 1800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/2400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg 2400w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/3000x2000+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc7%2Fdb%2F95399d4e44008c2138835d90428e%2Fgettyimages-109298560.jpg\" sizes=\"(min-width: 1350px) 953px, (min-width: 1025px) calc(100vw - 395px), (min-width: 768px) calc(100vw - 60px), calc(100vw - 30px)\" class=\"img\" type=\"image\/jpeg\"\/>\n        <\/picture>\n<\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>\n                Hungarian director B\u00e9la Tarr at the Berlin International Film Festival in 2011.<br \/>\n                <b class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>                    Andreas Rentz\/Getty Images<\/p>\n<p>                <\/b><br \/>\n                <b class=\"hide-caption\"><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b class=\"toggle-caption\"><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>        Andreas Rentz\/Getty Images<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>B\u00e9la Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including <em>S\u00e1t\u00e1ntang\u00f3 <\/em>and <em>Werckmeister Harmonies<\/em>, has died at the age of 70. The Hungarian Filmmakers&#8217; Association <a href=\"https:\/\/www.facebook.com\/MagyarFilmmuveszekSzovetsege\" target=\"_blank\">shared a statement on Tuesday<\/a> announcing Tarr&#8217;s passing after a serious illness, but did not specify further details.<\/p>\n<p>Tarr was born in communist-era Hungary in 1955 and made his filmmaking debut in 1979 with <em>Family Nest, <\/em>the first of nine feature films that would culminate in his 2011 film <em>The Turin Horse. Damnation, <\/em>released in 1988 at the Berlin International Film Festival, was his first film to draw global acclaim, and launched Tarr from a little-known director of social dramas to a fixture on the international film festival circuit.<\/p>\n<aside id=\"ad-backstage-wrap\" class=\"ad-wrap backstage\" aria-label=\"advertisement\">\n<\/aside>\n<p>Tarr&#8217;s reputation for films tinged with misery and hard-heartedness, distinguished by black-and-white cinematography and unusually long sequences, only grew throughout the 1990s and 2000s, particularly after his 1994 film <em>S\u00e1t\u00e1ntang\u00f3<\/em>. The epic drama, following a Hungarian village facing the fallout of communism, is best known for its length, clocking in at seven-and-a-half hours.<\/p>\n<p>Based on the novel by Hungarian writer L\u00e1szl\u00f3 Krasznahorkai, who <a href=\"https:\/\/www.npr.org\/2025\/10\/08\/nx-s1-5561746\/nobel-prize-in-literature\" target=\"_blank\">won the Nobel Prize in Literature last year<\/a> and frequently collaborated with Tarr, the film became a touchstone for the &#8220;slow cinema&#8221; movement, with Tarr joining the ranks of directors such as Andrei Tarkovsky, Chantal Akerman and Theo Angelopoulos. Writer and critic Susan Sontag <a href=\"https:\/\/www.artforum.com\/features\/susan-sontag-162694\/\" target=\"_blank\">hailed<\/a> <em>S\u00e1t\u00e1ntang\u00f3 <\/em>as &#8220;devastating, enthralling for every minute of its seven hours.&#8221;<\/p>\n<div id=\"resnx-s1-5668240-100\" class=\"bucketwrap internallink insettwocolumn inset2col \">\n<div class=\"bucket img\">\n                  <a class=\"imagewrap\" id=\"featuredStackSquareImage146486816\" href=\"https:\/\/www.npr.org\/2012\/02\/09\/146486816\/the-turin-horse-the-abyss-gazes-implacably-back\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\\\/\\\/www.npr.org\\\/2012\\\/02\\\/09\\\/146486816\\\/the-turin-horse-the-abyss-gazes-implacably-back&quot;}\"><picture><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"webp\" class=\"img lazyOnLoad\" type=\"image\/webp\"\/><source srcset=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s=100&amp;c=85&amp;f=jpeg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2012\/02\/06\/8_sq-4f71507e638cf19549bda2dee0995049e3268e7b.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"'The Turin Horse': The Abyss Gazes Implacably Back\" loading=\"lazy\"\/><\/picture><\/a>         <\/p>\n<p><!-- END CLASS=\"BUCKETBLOCK\" -->\n      <\/div>\n<p><!-- END CLASS=\"BUCKET IMG\" -->\n   <\/div>\n<p><!-- END ID=\"RESNX-S1-5668240-100\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>Tarr&#8217;s next breakthrough came in 2000 with his film <em>Werckmeister Harmonies<\/em>, the first of three movies co-directed by his partner, the editor \u00c1gnes Hranitzky. Another loose adaptation of a Krasznahorkai novel, the film depicts the strange arrival of a circus in a small town in Hungary. With only 39 shots making up the film&#8217;s two-and-a-half-hour runtime, Tarr&#8217;s penchant for long takes was on full display.<\/p>\n<p>Like <em>S\u00e1t\u00e1ntang\u00f3<\/em>, it was a major success with both critics and the arthouse crowd. Both films popularized Tarr&#8217;s style and drew the admiration of independent directors such as Jim Jarmusch and Gus Van Sant, the latter of which <a href=\"https:\/\/filmfilm.eu\/post\/47037007784\/the-camera-is-a-machine-by-gus-van-sant-moma\" target=\"_blank\">cited<\/a> Tarr as a direct influence on his films: &#8220;They get so much closer to the real rhythms of life that it is like seeing the birth of a new cinema. He is one of the few genuinely visionary filmmakers.&#8221;<\/p>\n<aside id=\"ad-secondary-wrap\" class=\"ad-wrap secondary\" aria-label=\"advertisement\">\n<\/aside>\n<p>The actress Tilda Swinton is another <a href=\"https:\/\/www.youtube.com\/watch?v=1cGx0KJYsjw\" target=\"_blank\">admirer<\/a> of Tarr&#8217;s, and starred in the filmmaker&#8217;s 2007 film <em>The Man from London<\/em>. At the premiere, Tarr announced that his next film would be his last. That 2011 film, <em>The Turin Horse, <\/em>was typically bleak but with an apocalyptic twist, following a man and his daughter as they face the end of the world. The film won the Grand Jury Prize at the Berlin International Film Festival.<\/p>\n<p>After the release of <em>The Turin Horse<\/em>, Tarr opened an international film program in 2013 called <a href=\"https:\/\/www.sfa.ba\/programs\/film-factory-2\" target=\"_blank\">film.factory<\/a> as part of the Sarajevo Film Academy. He led and taught in the school for four years, inviting various filmmakers and actors to teach workshops and mentor students, including Swinton, Van Sant, Jarmusch, Juliette Binoche and Gael Garc\u00eda Bernal. <\/p>\n<p>In the last years of his life, he worked on a number of artistic projects, <a href=\"https:\/\/www.eyefilm.nl\/en\/programme\/bela-tarr\/125976\" target=\"_blank\">including an exhibition at a film museum in Amsterdam<\/a>. He remained politically outspoken throughout his life, condemning the rise of nationalism and <a href=\"https:\/\/web.archive.org\/web\/20170110161629\/http:\/\/www.slantmagazine.com\/house\/article\/marrakech-international-film-festival-an-interview-with-director-bela-tarr\" target=\"_blank\">criticizing the government of Hungarian leader Viktor Orb\u00e1n<\/a>.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.npr.org\/2026\/01\/06\/nx-s1-5668240\/bela-tarr-filmmaker-dead\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hungarian director B\u00e9la Tarr at the Berlin International Film Festival in 2011. Andreas Rentz\/Getty Images hide caption toggle caption Andreas Rentz\/Getty Images B\u00e9la Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including S\u00e1t\u00e1ntang\u00f3 and Werckmeister Harmonies, has died at the age of 70. The Hungarian Filmmakers&#8217; Association shared a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-3528","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-world-news"},"_links":{"self":[{"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/posts\/3528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3528"}],"version-history":[{"count":0,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/posts\/3528\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=\/wp\/v2\/media\/3529"}],"wp:attachment":[{"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/firearmupgrades.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}